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2024-04-15

3D Printed 6x12 Panoramic Film Camera

Intro

I recently acquired a 3D printer that I have been messing around with, printing various nick knacks, but I wanted a new project to start on. I was browsing printables for an 3D print idea and I stumbled on Open 6x12, 6x17, and 6x24 panoramic camera and I was instantly determined to make one. Not only did I want a 3D print project, but this combined my love for photography, 3D modeling, and engineering all in one!

About

Off the bat, there was 1 requirement for such a 3D printed camera. There is no way you can 3D print a lens or shutter today. (Well, someone has printed shutter) I need an actual lens and a shutter. Back in the days of medium and large format, the lenses were combined with a shutter and the assembly was mounted to a lense board. I did some shopping to look for a lens and found a really inexpensive Schneider-Kreuznach Symmar 1:5.6/105 & 1:12/185. What is neat about this lens, is I can switch from 105 mm to 185 mm by just unscrewing a section of the back side.

LenseEbayListing

Eventually I would like to get a Fujifilm Fuji Fujinon SW 90mm f/8 Large Format MF Lens F/JP which has been tested with the 6x24.

Modifications

At the time of doing this project, @Velvia had just released his "V8" version of the Panoramic Camera model. The V8 came with a game changing feature; it had a dark slide. This means I can actually focus the lens with a ground glass in the field and preview the image before I take the shot! The only problem, V8 is untested and has a couple quirks. First, it was only available in the 6x17 size. The lens cone screw holes were not aligned. I modified it and the cone to use 4 screws.

Alt textMis-aligned holesAlt textMODIFICATION (Screw populated in top-right hole)

This is picky, and isn't even noticeable on the print, but the base chamfer at some point turns into a chamfer-fillet combo?

Alt textThis was later corrected in the original V8 design

When assembled, this portion of the lid lip has a sharp corner that protrudes and does not transition smoothly. I modified it so it becomes flush with the base of the cone.

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Sharp corner where fingers grip cameraMODIFICATION

In addition, I added a thumb grip to both sides of the back.

Alt textMODIFICATION

I don't really understand the point of both a wind grip and a wind sprocket. I replaced the sprocket with a thin washer.

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Another modification was to line the dark slide cavity with foam tape so that the body of the camera is light sealed against the dark slide.

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Lens Cone

I designed my own parametric lens cone for the 4x screw hole design and M65 helicoid. I had to find out the FFD (flange focal distance) for my lens. I just held the lense up to a wall and measured the rough distance at which the image was in focus. I did not worry about getting it perfect since the helicoid can adjust to compensate for error.

Schneider-Kreuznach Symmar 1:5.6/105 & 1:12/185:

  • 112mm FFD for 185mm focal length
  • 143mm FFD for 105mm focal length

Focusing Screen

I designed a simple focusing screen that snaps to the back of the lens cone and holes a small sheet of frosted acrylic.

Building

The only other requirements for this build is a set of M3 x 0.5mm 9mm L screws and a M65-M65 focusing helicoid. I opted for a set of nice knurled thumb screws since removing the 2x lid screw is needed for loading/unloading film, and removing 4x lens cone screws is needed for focusing. The funny part is, these were the 2nd most expensive part of the build.

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The focusing helicoid is simply an extending mal-female adapter that has a M65 x 1 mm thread on both ends.

I printed the Body, Cone, and other hardware on my Ender 3 Pro in eSUN PLA+

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Results

To test out the camera, I used 35mm film since it is cheaper and easier to get developed. I used Fujifilm ISO 200 from Walmart and a 3D printed film spool adapter

The first 2 rolls I tried to develop myself with a C-41 developing kit, but they came out completely blank. At first I thought it was due to the camera because I have used this kit before, but then I realized the developing chemicals had gone bad and were not developing at all. So on the third roll of film, I had lost all effort to try to shoot something grand and just took two composites at home and sent it to a local developer. The two locations were in my dining room and my front yard. I get 9 frames out of the 6x24 on a 36 exposure 35mm and below were the best two.

I am really happy about the first pictures I managed to get out of this camera. I was expecting a lot of vignetting from the small Compur #00 shutter. Since the entire width of the 35mm roll gets expose in the frame, I think I am going to ask if the sprocket holes get included in the next scan.

2024-04-20 Update

I have posted my modifications of 3D models on printables.

https://www.printables.com/model/845522-open-6x12-6x17-and-6x24-panoramic-camera-remix

I am reprinting the body and the cone with fuzzy skin to try to get a nicer body texture.

fuzzysettings

fuzzycone

fuzzycamera1

fuzzycamera2

fuzzycamera3

2024-06-22 Update

First roll of 120 film developed. Only one image really came out okay.

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The light leak near the top of this image is due to a crack that was in the 120 film spool.

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The second one has some major light leak near the bottom. I believe this is due to the dark slide not being light proof. I did not add foam tape to the seal when I reprinted the body with fuzzy settings. It kept gumming up the slide. I have an idea to use a hair tie instead around the dark slide and between the lid and the body. This allows the lid to squish it into the light seal cavity.

2024-06-29 Update

I put a hair-tie around the darkslide between the lid and the body. This allows the lid to squish the hair-tie in the small cavity it sits in. There was too much material on the lid so I had to chop some of it off. See below.

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The results turned out so much better despite shooting in direct sunlight again.

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I now need to update the 3D model to remove some material on the lid that interfered with the hair-tie pocket.

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